ISEA Archive

Looking for publications referring to Jeffrey Shaw's installation 'Points of View', I found an interesting paper published in ISEA's proceedings in 1994:

History of Interface in Interactive Art

http://www.isea-webarchive.org/content.jsp?id=11956

This happened //

This happened is a series of events focusing on the stories behind interaction design. Having ideas is easier than making them happen. The Thishappened team delve into projects that exist today, how their concepts and production process can help inform future work and want to encourage the perspectives from the other side of the fence, so will also be inviting curators and commissioners of work to give presentations.




http://www.thishappened.org/

Out of Bounds //

A commission for Designers in Residence at the Design Museum London: Shine the torch at the wall to reveal the secrets hidden beneath. Pay an anonymous visit to the staff office, collection’s store, workshop, roof hatch or plant room.Just as a torch shines light into a darkened space to bring things into focus.



http://www.chrisoshea.org/projects/out-of-bounds/

Chris O'Shea is an artist and designer, creating interactive work for both public institutions and private companies. He creates experiences that playfully challenge our perception of spaces and objects. In 2006 he was the guest curator of the Cybersonica exhibition and in 2007 received a commission for Designers in Residence at the London Design Museum. He is the author of Pixelsumo and co-founder of the event series This happened.

Ambientes Sensibles. Studio Azzurro

today Guto Nóbrega gave me a book... a book of imaginary things... Ambientes Sensibles. Studio Azzurro. The perfect gift.

(PG-9) Processing Gesture

Max Kazemzadeh // Assistant Professor building an Electronic Media Art Program in the University of North Texas School of Visual Arts. Kazemzadeh studies human interaction via the context and influence of constructed interfaces. Reflecting on interfaces as influencing and influenced-by language, identity, culture, and interaction. Kazemzadeh's installation experiences exist as relational kinetic environments that employ reappropriated materials, custom hardware and software, redirecting the viewer's attention from technology, commodity, and the art object to play, adaptation, and human interaction. He has exhibited nationally and internationally.

(PG-9)Processing Gesture is a site-specific interactive installation comprising of nine microcontrollers, tripods, sensors, motors, video cameras, pencils, coat hangars, sheets of drawing paper, a computer and projector.

(PG-9):
http://www.maxkazemzadeh.com/gesture.html
website:
http://www.maxkazemzadeh.com/
Blog site:
http://emedia.wordpress.com/about/