Harvard System of Referencing Guide

Harvard System of Referencing Guide

The Strange World of Quantum Entanglement

California Literary review
The Strange World of Quantum Entanglement
By Paul Comstock
March 30th, 2007
at: http://calitreview.com/51

Interesting interview with Brian Clegg about his most recent book:
The God Effect : Quantum Entanglement, Science’s Strangest Phenomenon

at Amazon:
http://www.amazon.com/gp/product/0312343418

"Entanglement is a strange feature of quantum physics, the science of the very small. It’s possible to link together two quantum particles — photons of light or atoms, for example — in a special way that makes them effectively two parts of the same entity. You can then separate them as far as you like, and a change in one is instantly reflected in the other. This odd, faster than light link, is a fundamental aspect of quantum science. Erwin Schrödinger, who came up with the name “entanglement” called it “the characteristic trait of quantum mechanics.” Entanglement is fascinating in its own right, but what makes it really special are dramatic practical applications that have become apparent in the last few years."

real time co-creative Web

just some notes on second life:

real time second life:
http://www.reporternet.jor.br/vendo-tv-em-tempo-real-no-second-life/
http://blogs.cisco.com/tag/second+life
http://sl.nmc.org/
http://www.wired.com/wired/archive/15.02/mtv.html

tag cloud:
http://www.mxstudio.com.br/php/aprenda-a-criar-uma-nuvem-de-tags-tag-cloud-com-php/

weblin (3d world in your blog):
http://weblin.software.informer.com/
http://weblinlite.wordpress.com/
http://www.reporternet.jor.br/crie-um-mundo-virtual-em-seu-blog/

Second Life as real time, co-creative Web:
http://www.comunicamos.org/web/second-life-algumas-consideracoes

if I could stay

today I was talking about memories with my friend Claudy Op Den Kamp.
1980s + 1990s.
Memories that, despite she was living in the Nederland and I was living in Brazil - thanks to satellite television -, we share...

WW: "The story only exists in stories." Friedrich's famous line [in The State of Things]. He writes a little note, it appears as an insert even. "Stories only exist in stories."

An interview with Wim Wenders on Wings of Desire:
http://pov.imv.au.dk/Issue_08/section_1/artc1A.html

Wings of Desire at IMDB:
http://www.imdb.com/title/tt0093191/

I sent her a song:


she sent me another one:

Soft Machine

Soft Machine - Hope for happiness
http://www.youtube.com/watch?v=Mwo3ht8sxJo&feature=related

Soft Machine was formed in 1966 by Robert Wyatt, Mike Ratledge, Kevin Ayers and Daevid Allen. Wyatt had already worked with Allen in the Daevid Allen Trio (which Ratledge occasionally jammed with) in 1963, and with Ayers in the Wilde Flowers in 1964. Although the band had its roots in Canterbury, it soon became a London-based band.

http://calyx.perso.neuf.fr/softmachine/

my mask is my master;

Wiki article is about the rock band:
http://en.wikipedia.org/wiki/Soft_Machine


The Soft Machine (album)
http://en.wikipedia.org/wiki/The_Soft_Machine_(album)
The Soft Machine, as reissue also titled "Volume One", is the debut album by the British psychedelic rock band Soft Machine, one of the central bands in the Canterbury scene. The band, founded in 1966, recorded and released this studio album during their 1968 tour of the USA. It was produced by Chas Chandler and Tom Wilson.

« Marie-Mathématique »

SERGE GAINSBOURG
http://cristolinette.spaces.live.com/blog/cns!9734FC87D57E46CA!6282.entry
http://www.tetedechou.com/discogaphie.html
Diffusée à partir du 28 octobre 1965, « Marie-Mathématique » est une série de six films d'animation noir et blanc de cinq minutes, qui met en scène la première héroïne TV de science-fiction. Les lyrics interprétés par Serge Gainsbourg (et écrits dans une forme fixe ancienne, le virelai, par l'écrivain André Ruellan, beau-frère de Forest) participent pleinement à la réussite de cette adaptation de BD à la TV

Jean-Claude Forest
http://www.bdparadisio.com/scripts/detail.cfm?Id=209
En 1964, il partage avec Remo Forlani la rédaction en chef du journal Chouchou et crée "Bébé Cyanure" et écrit "Les Naufragés du Temps" pour Gillon. Après avoir produit un photo-roman pour Plexus (Les Magiciennes), et tandis que les droits cinématographiques de Barbarella sont achetés par le producteur Dino de Laurentiis (Jane Fonda sera Barbarella et Vadim réalisera le film), Forest écrit, dessine et coréalise pour l'émission TV, Dim Dam Dom, Marie Mathématique. C'est une comédie musicale en papier découpé animé. Gainsbourg chante les lyriques dont il a écrit la musique sur des paroles d'Adré Ruellan.Vadim réalise Barbarella à Rome. Forest dessine la plupart des décors. Le film sort en juin 1968.

//
By many, Jean-Claude Forest is considered the father of the adult comics, because of Barbarella. It could be called the forerunner of both erotic and adult comic art. The series became so famous that Roger Vadim made it into a movie - which itself became cult classic. Also in 1962, Forest became artistic director of the C.B.D. (Club des Bandes Dessinées).

Editor-in-chief of Chouchou magazine since 1964, Forest created 'Bébé Cyanure' and wrote 'Les Naufragés du Temps (art by Paul Gillon) for the magazine. He developed 'Marie Mathématique' for the Dim Dam Dom television series in 1965 and produced the photo novel 'Le Magiciennes' in Plexus. He returned to Vaillant publishers in the early 1970s and created 'Mystérieuse, Matin, Midi et Soir' and an adaptation of Jules Verne's 'L'Île Mysterieuse' in Pif Gadget. At the same time, he created 'Hypocrite' for France-Soir and later Pilote, a series that featured another erotic heroin. Forest also began working for television and writing poems and songs. In addition, he drew 'Les Contes de la Barque Saoule' in Métal Hurlant and Fluide Glacial.

He worked for À Suivre since the magazine's first issue in February 1978. There, he wrote the scenarios of 'Roman de Renart' (art by Max Cabanes) and 'Ici Même' (art by Jacques Tardi) and drew several comics of his own. In 1981, he wrote a final episode of 'Barbarella', published in L'Écho des Savanes and this time drawn by Daniel Billon. In the late 1980s, he came in charge of the comics section of Okapi magazine. After writing the novel 'Lilia entre l'Air et de l'Eau', he wrote the long comic 'Il Faut y Croire pour le Voir' (about 100 pages, drawn by Alain Bignon) for the Long Courrier collection of the publishing house Dargaud.

gogogoch

Memorable quotes for
Barbarella (1968)

http://www.imdb.com/title/tt0062711/quotes

Dildano: [radioing instructions to the rebel army] And our password will be... Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch.


Barbarella: You mean the secret password is Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch?


Dildano: Exactly.